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Harmonic rhythm: how fast does harmony move?
Melodic rhythm is easy to hear — the notes going by. Harmonic rhythm is quieter: how often the underlying chord actually changes, independent of how busy the surface sounds. We reduced all 76 pieces in our corpus to block chords and measured the rate: the corpus averages 1.50 changes per bar, but the range is wide. Prelude 20 in A minor (BWV 889) (J. S. Bach) changes chord 3.12 times a bar — more than three new harmonies every measure — while Für Elise (L. v. Beethoven) sits at just 0.78, one chord regularly stretched across more than a full bar.
Practice with the pieces that use it →
The census: every piece, ranked by pace
Changes per bar for the whole corpus, fastest to slowest:
| piece | changes/bar |
|---|---|
| Prelude 20 in A minor (BWV 889) | 3.12 |
| Prelude 7 in E-flat major (BWV 852) | 2.87 |
| Prelude 16 in G minor (BWV 861) | 2.47 |
| Prelude 19 in A major (BWV 864) | 2.42 |
| Prelude 12 in F minor (BWV 857) | 2.41 |
| Prelude 7 in E-flat major (BWV 876) | 2.41 |
| Nocturne in E♭, Op. 9 No. 2 | 2.34 |
| Prelude in C minor, Op. 28 No. 20 | 2.31 |
| Clair de Lune | 2.31 |
| Prelude 18 in G-sharp minor (BWV 887) | 2.31 |
| Prelude 14 in F-sharp minor (BWV 859) | 2.29 |
| Prelude 11 in F major (BWV 856) | 2.28 |
| Prelude 8 in D-sharp minor (BWV 877) | 2.19 |
| Prelude 2 in C minor (BWV 871) | 2.17 |
| Prelude 6 in D minor (BWV 851) | 2.15 |
| Prelude 23 in B major (BWV 868) | 2.11 |
| Prelude 22 in B-flat minor (BWV 867) | 2.08 |
| Canon in D | 1.98 |
| Prelude 10 in E minor (BWV 855) | 1.90 |
| Melody (Album for the Young, Op. 68 No. 1) | 1.85 |
| Invention No. 1 in C, BWV 772 | 1.83 |
| Prelude 2 in C minor (BWV 847) | 1.71 |
| Prelude 5 in D major (BWV 850) | 1.71 |
| The Merry Peasant (Album for the Young, Op. 68 No. 10) | 1.67 |
| Arabesque No. 2 | 1.65 |
| Prelude 13 in F-sharp major (BWV 858) | 1.63 |
| Soldiers' March (Album for the Young, Op. 68 No. 2) | 1.59 |
| Arabesque No. 1 | 1.56 |
| Prelude 21 in B-flat major (BWV 866) | 1.55 |
| Ode to Joy | 1.53 |
| Sonata in C, K. 545 | 1.53 |
| Prelude 9 in E major (BWV 854) | 1.46 |
| Prelude 12 in F minor (BWV 881) | 1.46 |
| Prelude 6 in D minor (BWV 875) | 1.34 |
| Nocturne in C-sharp minor (Op. posth.) | 1.31 |
| Prelude 14 in F-sharp minor (BWV 883) | 1.30 |
| Prelude 24 in B minor (BWV 893) | 1.29 |
| Londonderry Air (Danny Boy) | 1.28 |
| The Irish Rover | 1.25 |
| Prelude 18 in G-sharp minor (BWV 863) | 1.24 |
| The Little Hunter's Song (Album for the Young, Op. 68 No. 7) | 1.23 |
| Prelude 5 in D major (BWV 874) | 1.23 |
| Moonlight Sonata, 1st Movement | 1.20 |
| Auld Lang Syne | 1.20 |
| Prelude 15 in G major (BWV 884) | 1.20 |
| Liebestraum No. 3 | 1.16 |
| Prelude 8 in E-flat minor (BWV 853) | 1.15 |
| Prelude 20 in A minor (BWV 865) | 1.14 |
| Minuet in C (Notebook for Wolfgang) | 1.13 |
| The Wild Horseman (Album for the Young, Op. 68 No. 8) | 1.12 |
| Sonata No. 11, K. 331 — Alla Turca | 1.10 |
| Swan Lake Theme | 1.09 |
| Humoresque No. 7 | 1.08 |
| Morning Mood (Peer Gynt) | 1.08 |
| The Entertainer | 1.07 |
| Prelude 13 in F-sharp major (BWV 882) | 1.07 |
| Arabesque, Op. 100 No. 2 | 1.06 |
| Gymnopédie No. 1 | 1.05 |
| Prelude 15 in G major (BWV 860) | 1.05 |
| Prelude 17 in A-flat major (BWV 862) | 1.05 |
| Prelude 23 in B major (BWV 892) | 1.04 |
| Lullaby (Wiegenlied) | 1.00 |
| Sonatina in C, Op. 36 No. 1 | 1.00 |
| Air Napolitain "Santa Lucia" | 1.00 |
| Clair de Lune (Easy Arrangement) | 1.00 |
| Minuet in F, K. 2 | 1.00 |
| Amazing Grace | 1.00 |
| Prelude No. 1 in C, BWV 846 (WTC I) | 1.00 |
| Waltz in A minor, B. 150 | 1.00 |
| Prelude 1 in C major (BWV 846) | 1.00 |
| Prelude 3 in C-sharp major (BWV 848) | 1.00 |
| Prelude 4 in C-sharp minor (BWV 873) | 1.00 |
| Sonatina in G, Anh. 5 No. 1 | 0.97 |
| When the Saints Go Marching In | 0.95 |
| Waltz, Op. 32 No. 1 | 0.89 |
| Für Elise | 0.78 |
Fastest and slowest, side by side
Each link opens the piece in the harmony player — the label under each one is exactly the chord-count and bar-count behind the rate above it.
Fastest-moving harmony
- Prelude 20 in A minor (BWV 889) J. S. Bach
- Prelude 7 in E-flat major (BWV 852) J. S. Bach
- Prelude 16 in G minor (BWV 861) J. S. Bach
- Prelude 19 in A major (BWV 864) J. S. Bach
- Prelude 12 in F minor (BWV 857) J. S. Bach
- Prelude 7 in E-flat major (BWV 876) J. S. Bach
- Nocturne in E♭, Op. 9 No. 2 F. Chopin
- Prelude in C minor, Op. 28 No. 20 F. Chopin
Slowest-moving harmony
- Sonatina in G, Anh. 5 No. 1 L. v. Beethoven
- When the Saints Go Marching In Traditional
- Waltz, Op. 32 No. 1 C. Czerny
- Für Elise L. v. Beethoven
Go deeper
- Train your ear to feel the pace → Our ear-training site drills hearing when the chord actually changes versus when the surface is just busy above a held harmony.
- The opposite extreme, surveyed → Pedal points hold the bass still for bars at a time while the harmony above keeps moving — a different kind of slow harmonic rhythm, counted on its own terms.
- Learn a piece that uses them → The practice ladder loops eight bars at a time — hear the harmony slowly, read along, then play at tempo.