Brandenburg Concerto No. 5, BWV 1050
Johann Sebastian Bach (1685–1750) · sheet music
- Key D major
- Time 2/2
- Levels 8
- Passages 1
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Johann Sebastian Bach (1685–1750) · sheet music
Your turn · both hands
Preparing your passage…
Johann Sebastian Bach, German baroque (1685–1750). The reading release has 1 passage from this piece at level 8; the reader above opens on the easiest, bars 13–16 for both hands together.
The hardest stretch is bars 13–16 at level 8.
Learn it the way teachers do: each hand on its own, then together, then the hard bars. Each step is a real graded passage of Brandenburg Concerto No. 5, BWV 1050.
Three movements: fast, slow, fast. The solo trio of harpsichord, flute and violin plays with and against a string orchestra, and the harpsichord leads throughout, most of all in its long first-movement solo.
Bach presented his Brandenburg set to Christian Ludwig, Margrave of Brandenburg-Schwedt, with a dedication dated 24 March 1721. The fifth concerto seems likely to have been the last of the six written, and an earlier version survives as BWV 1050a. Its harpsichord part is presumed to be for a new instrument by Michael Mietke that Bach paid for in Berlin in 1719.
What sets it apart is the harpsichord, which takes the leading role among the three soloists, alongside the flute and violin. Its long solo in the first movement more than tripled in length between the early and final versions and borrows techniques from violin writing. It has been called the first keyboard concerto ever written.
The slow movement is built on a theme by the French organist Louis Marchand. Bach's 1717 visit to Dresden is mainly remembered for a planned contest with Marchand that never took place. The Brandenburg Concertos were mostly forgotten after Bach's death until Siegfried Dehn found them in Princess Anna Amalia's library in 1849.
That passage is level 8 rather than 7 because it leaps a major third plus an octave.
The single passage on this page is a hard, two-handed excerpt with fast notes in both hands. Take it slowly and keep the fingering consistent each time you repeat a figure.
The reading release grades one passage of this piece. Open any of them in the reader:
Score: public-domain engraving from the corpus (pdmx), graded by the piano-reading-v2-20261023-identity-audit reading release.