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Preparatory School, Op. 101 No. 16

Ferdinand Beyer (1803–1863) · sheet music

  • Time 2/4
  • Levels 2–3
  • Passages 5

Your turn · both hands

 

 

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Ferdinand Beyer, German romantic (1803–1863). The reading release has 5 passages from this piece at levels 2–3; the reader above opens on the easiest, bars 1–8 for the right hand alone.

Practice the hard bars →

The hardest stretch is bars 9–16 at level 3.

Your practice path

Learn it the way teachers do: each hand on its own, then together, then the hard bars. Each step is a real graded passage of Preparatory School, Op. 101 No. 16.

  1. Right hand alone · bars 1–4 level 2
  2. The hardest bars · bars 9–16 level 3

How to play Preparatory School, Op. 101 No. 16

  1. Tempo:Moderato in 2/4: count a calm one-two, with each quarter note one beat, and keep the half notes for their full two counts.
  2. Right hand:Join each third smoothly as the legato marking asks: hold the first note until the second one sounds, so C passes to E without a gap.
  3. Left hand:The left hand starts with half notes C, G, C, then moves into quarter notes such as E-C and F-D, with printed fingers 3-5 and 2-4.
  4. Hands together:From the second phrase on, both hands play quarter notes together; practice slowly so each pair of notes lands exactly at the same moment.
  5. Fingering:For the skip in the second half, play C with the thumb and G with the fifth finger, without moving the hand.
  6. Practice:Practice the thirds as two-note blocks first, C with E, D with F, then break them apart again at the written rhythm.
  7. Reading:Read the right hand as skips of a third on the staff, line to line or space to space, which makes the pattern quicker to see than naming each note.

Common mistakes

  • Detaching the thirds despite the legato marking. Fix: Overlap each pair slightly, releasing the first key only as the second sounds.
  • Cutting the half-note D short at the end of the first phrase. Fix: Count two full beats aloud before the next C.
  • Reaching for G with the fourth finger. Fix: Keep finger 5 over G from the start so the skip needs no hand movement.
  • Feeling the music in four instead of two. Fix: Tap two beats per bar while you practice the right hand alone.

Structure: rounded binary (second half repeated)

Two four-bar phrases in broken thirds make the first half; the repeated second half opens with a new phrase built on a skip from C to G and ends by bringing back the opening's closing phrase.

A · Broken thirds
C-E, D-F, E-C in quarter notes, a half-note D, then the same pattern closing on a half-note C.
B · The skip to G
D-E is followed by C leaping up to G, then F-E stepping down to a half-note D.
A · Return
The closing phrase of the opening returns and ends on C before the repeat.

About Preparatory School, Op. 101 No. 16

Unlike Nos. 12 to 15 on the facing page, which are all in common time, No. 16 has two beats to a bar, and the word legato is printed under the right hand's first bar. Both hands stay in the five-note position on C, with no sharps or flats.

The right hand moves in pairs of quarter notes a third apart, C to E, D to F, then E back down to C, and rests on a half-note D; the next phrase repeats the pattern and closes on C. The left hand plays mostly quarter notes too, so both hands are moving at once, often in different directions.

After the double bar, a repeated second half opens with D-E and then a skip from C up to G, the widest step in the right hand, fingered 1 and 5. The second phrase of the opening then returns to end on C.

  • The Peters edition prints right-hand fingers 1-3, 2-4, 3-1 over the first three bars, so each finger plays its own key throughout.
  • The skip from C up to G in the second half is the only time the right hand stretches across its whole five-note position.
  • PTNA's encyclopedia notes that the first edition was announced in Hofmeister's monthly trade listing in January 1851.

Why the first passage is level 2

That passage is level 2 rather than 1 because it leaps a major third.

Two beats per bar, no sharps or flats, and a right hand that skips by thirds; the level-three second half adds the stretch from C up to G.

Questions about Preparatory School, Op. 101 No. 16

How hard is Preparatory School, Op. 101 No. 16 to play?
Its passages grade from level 2 to level 3 on Real Sight Reader's ten-level reading scale, which keeps all of it within beginner reading. The hardest stretch is bars 9–16 at level 3.
Is there an easy part of Preparatory School, Op. 101 No. 16 for beginners?
Yes. Start with bars 1–8 for the right hand alone, the level-2 passage in the reader at the top of this page; it is level 2 because it leaps a major third.
What key and time signature is Preparatory School, Op. 101 No. 16 in?
The engraving on this page is in 2/4 time.
Who composed Preparatory School, Op. 101 No. 16?
Ferdinand Beyer, German romantic (1803–1863). Unlike Nos.
Can I practice Preparatory School, Op. 101 No. 16 online for free?
Yes. The reader on this page plays any of the 5 graded passages from Preparatory School, Op. 101 No. 16 in your browser, with an on-screen keyboard or a MIDI keyboard, and marks every note as you play. No signup.
How long does No. 16 take to play?
The PTNA Piano Music Encyclopedia lists about 40 seconds.
When was Beyer's Preparatory School first published?
IMSLP gives 1850, by Schott in Mainz, and a Hofmeister trade listing announced it in January 1851.
Is Beyer's Op. 101 in the public domain?
Yes. Beyer died in 1863, and IMSLP lists old editions such as Peters and Schirmer as public domain.

Every passage, easiest first

The reading release grades 5 distinct passages of this piece. Open any of them in the reader:

Level 2
bars 1–4 right hand · bars 1–8 right hand · bars 5–8 right hand
Level 3
bars 9–16 right hand · bars 9–12 right hand

More pieces to sight-read

Score: public-domain engraving from the corpus (imslp-omr), graded by the piano-reading-v2-20261023-identity-audit reading release.

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