First Suite in E-flat for Military Band
Gustav Holst (1874–1934) · sheet music
- Time 4/4
- Levels 3–10
- Passages 38
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Gustav Holst (1874–1934) · sheet music
Your turn · both hands
Preparing your passage…
Gustav Holst, English romantic (1874–1934). The reading release has 38 passages from this piece at levels 3–10; the reader above opens on the easiest, bars 257–260 for the left hand alone.
The hardest stretch is bars 277–280 at level 10.
Learn it the way teachers do: each hand on its own, then together, then the hard bars. Each step is a real graded passage of First Suite in E-flat for Military Band.
The suite consists of a Chaconne, an Intermezzo, and a March, played without pauses. The Chaconne is a set of variations over a repeating bass idea, the Intermezzo is a quick, energetic dance in a minor key with a major-key second theme, and the March ends the work in the home key with a steady, striding pulse.
Gustav Holst completed the First Suite for Military Band in E-flat in 1909. It was not officially premiered until 1920, at the Royal Military School of Music, and Boosey published the parts and a piano reduction in 1921. At the time, almost no serious music had been written specifically for military band, and there was not even a standard set of instruments.
Holst wrote an original work in three movements, meant to be played without a break: a Chaconne, an Intermezzo, and a March. The first movement sets an eight-bar theme that returns sixteen times, and that theme is developed through every movement; the March's opening chords even turn the motto upside down.
The suite is now seen as a cornerstone of the concert band repertoire. Together with Holst's Second Suite, it helped convince other British composers, including Ralph Vaughan Williams and Gordon Jacob, that serious music could be written for band. Sydney Herbert arranged it for brass band, and that version has been used as a contest test piece.
That passage is level 3 rather than 2 because a hand covers more than one position, it leaps a fifth, the line roams across the staff, it has dotted rhythms, it leaves the five-finger position.
The passages come from a piano arrangement of a band work, so the theme often moves between the hands. Watch for the left hand carrying the melody and for dotted rhythms.
The reading release grades 38 distinct passages of this piece. Open any of them in the reader:
Score: public-domain engraving from the corpus (pdmx), graded by the piano-reading-v2-20261023-identity-audit reading release.