Impromptu in C Minor, D. 899 No. 1
Franz Schubert (1797–1828) · sheet music
- Key C minor
- Time 4/4
- Levels 7–9
- Passages 2
Play your MIDI keyboard through this device’s audio output. Plug headphones into this device and turn down your piano’s own speakers.
Franz Schubert (1797–1828) · sheet music
Your turn · both hands
Preparing your passage…
Franz Schubert, Austrian romantic (1797–1828). The reading release has 2 passages from this piece at levels 7–9; the reader above opens on the easiest, bars 1–4 for both hands together.
The hardest stretch is bars 1–6 at level 9.
Learn it the way teachers do: each hand on its own, then together, then the hard bars. Each step is a real graded passage of Impromptu in C Minor, D. 899 No. 1.
The piece mixes elements of sonata form, variation, and through-composed writing. A march-like first theme and a lyrical second theme built from the same melody are presented, then a development-like section reworks them and leads back to the opening material, and a coda closes the movement. The music passes through keys such as A-flat major and G minor before the coda settles in C major.
Schubert wrote his eight impromptus in 1827, the year before his death in 1828. The first set, D. 899, was published as Op. 90, but in his lifetime only the first two pieces appeared in print. The publisher Tobias Haslinger announced them in December 1827, and the third and fourth were not printed until 1857.
Haslinger is also the source of the name. The word Impromptu was written on this piece's manuscript by the publisher, not by Schubert, which is why a name suggesting a casual improvisation sits on a carefully built piece.
The C minor Impromptu is a large-scale piece. It starts with two widely spaced octaves on G that leave the key unclear, then a quiet, march-like theme enters on its own. Much of the piece's drama comes from how that theme is reworked, passing through other keys before the music finally dies away into C major.
That passage is level 7 rather than 6 because its chords stretch wide, it reaches 3 ledger lines.
Three flats and a few ledger lines are the main reading load. Pay attention to wide hand spans in the first section and to the moments the music turns from minor to major.
The reading release grades 2 distinct passages of this piece. Open any of them in the reader:
Score: public-domain engraving from the corpus (pdmx), graded by the piano-reading-v2-20261023-identity-audit reading release.