Minuet in G Minor
Gottfried Heinrich Stölzel (1690–1749) · sheet music
- Key G minor
- Time 3/4
- Levels 5–8
- Passages 8
Play your MIDI keyboard through this device’s audio output. Plug headphones into this device and turn down your piano’s own speakers.
Gottfried Heinrich Stölzel (1690–1749) · sheet music
Your turn · both hands
Preparing your passage…
Gottfried Heinrich Stölzel, German baroque (1690–1749). The reading release has 8 passages from this piece at levels 5–8; the reader above opens on the easiest, bars 5–8 for both hands together.
The hardest stretch is bars 9–16 at level 8.
Learn it the way teachers do: each hand on its own, then together, then the hard bars. Each step is a real graded passage of Minuet in G Minor.
A minuet is built from two short repeated halves in triple meter. The trio that follows is a contrasting middle piece in the same key, and then the minuet comes back, giving an overall A-B-A shape. Here the minuet is Stölzel's and the trio is Bach's.
Gottfried Heinrich Stölzel (1690-1749) spent most of his career as Kapellmeister at the court in Gotha and is remembered mainly for church music, cantatas, and operas. His keyboard suite, listed as Partia di Signore Steltzeln, survives because Johann Sebastian Bach copied it into the Klavierbüchlein he began in Köthen on January 22, 1720 for his eldest son, Wilhelm Friedemann.
Bach almost never named other composers in his teaching books, so this is an exception. After copying Stölzel's minuet he added a trio of his own in the same key, now cataloged as BWV 929, which turns the dance into the classic minuet-and-trio pair. The Netherlands Bach Society describes the result as a small conversation between two composers and a young student.
Do not confuse it with the other G minor minuet that students meet, the one in the 1725 notebook for Anna Magdalena Bach (BWV Anh. 115), which is usually credited to Christian Petzold. This one is Stölzel's, and it is one of the best early ways to read a Baroque dance with two flats and a raised leading tone.
That passage is level 5 rather than 4 because it carries accidentals outside the key, a hand covers more than one position, it leaps a octave.
Eight graded passages here run from level 5 to level 8, all hands together in 3/4 with two flats. The accidentals and the wider hand leaps raise the level, so read the lines by interval and shape rather than note by note.
The reading release grades 8 distinct passages of this piece. Open any of them in the reader:
Score: public-domain engraving from the corpus (pdmx), graded by the piano-reading-v2-20261023-identity-audit reading release.