Der Vogelfänger bin ich ja (The Magic Flute)
Wolfgang Amadeus Mozart (1756–1791) · sheet music
- Time 4/4
- Levels 2–8
- Passages 14
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Wolfgang Amadeus Mozart (1756–1791) · sheet music
Your turn · both hands
Preparing your passage…
Wolfgang Amadeus Mozart, Austrian classical (1756–1791). The reading release has 14 passages from this piece at levels 2–8; the reader above opens on the easiest, bars 1–2 for the right hand alone.
The hardest stretch is bars 1–12 at level 8.
Learn it the way teachers do: each hand on its own, then together, then the hard bars. Each step is a real graded passage of Der Vogelfänger bin ich ja (The Magic Flute).
The song sets two stanzas of text to the same music, built from regular four-bar phrases, with Papageno's pipe call answering between phrases. Once you learn the first verse, the second is nearly free. The harmony is simple and stays in G major almost the whole time.
Der Vogelfänger bin ich ja, roughly I am the bird-catcher, indeed, is Papageno's first song in The Magic Flute and the second numbered piece in the opera. He enters in Act 1 dressed as a bird, describes his life as a bird-catcher, and complains that he has no wife or sweetheart. The song introduces him as a cheerful, earthy character who carries a set of panpipes.
Mozart wrote it in a folk-like style: easy scale patterns, repeated phrases of equal length, and a narrow range, all in G major. The first Papageno was Emanuel Schikaneder, the theater manager and actor who also wrote the libretto. The song is strophic, so the same music serves for each stanza.
Between phrases, Papageno answers himself on his panpipes with a quick rising five-note figure. That little call works as his musical signature, and it comes back later in the opera when his pipes are heard offstage.
That passage is level 2 rather than 1 because notes come faster than one per beat, it moves in eighth notes.
These passages come from piano arrangements of the song and run from a single line in the right hand up to fuller arrangements for both hands. The tune is mostly stepwise and stays within a narrow range, which makes it a good first read.
The reading release grades 14 distinct passages of this piece. Open any of them in the reader:
Score: public-domain engraving from the corpus (pdmx), graded by the piano-reading-v2-20261023-identity-audit reading release.